MIFF Play 2022 – 8 films in French to stream online anywhere in Australia

Reading Time: 6 minutes

You don’t have to be in Melbourne to enjoy the Melbourne International Film Festival because there’s MIFF Play 2022 where a number of films are made available to stream (for a fee) online during the festival.

MIFF Play 2022


FREE TO RENT: SHORT FILM: Goodbye Jérôme! Au Revoir Jérôme!

Directors: Adam Sillard, Chloé Farr, Gabrielle Selnet

Origin: France (2021)

MIFF Shorts | Short

Language: French with English subtitles

Genre: Animation

In this funny, funky and surreal hand-drawn animation, Jérôme arrives in heaven in search of his late wife. Taking inspiration from their own romantic breakups, French co-directors Gabrielle Selnet, Adam Sillard and Chloé Farr craft a surreal and bittersweetly funny hand-drawn tale about a man who arrives in the afterlife, where he re-meets his dearly departed wife. But things are not how they were. Goodbye Jérôme won the International Jury Award for Best Short Film in the Berlinale’s Generation 14Plus section.


Jane by Charlotte Jane par Charlotte

Director: Charlotte Gainsbourg

Origin: France (2021)

Documentaries, Music on Film | Feature

Language: French with English subtitles

Genre: Documentary, Music

Charlotte Gainsbourg makes her directorial debut with this quietly revelatory portrait of her mother, Jane Birkin, offering tender insights into their relationship.


Gainsbourg (Jacky in the Kingdom of Women, MIFF 2014; Melancholia, MIFF 2011) remains a darling of the contemporary arthouse circuit, while Birkin – a celebrated singer, actor and fashion icon – has herself directed a documentary about her husband Serge Gainsbourg (Souvenirs of Serge, MIFF 2012) and been the subject of a film, Agnès Varda’s Jane B. par Agnès V. (1988). Now, the younger Gainsbourg follows in Birkin’s footsteps, trailing her mother on tour from Japan to New York, and from her Brittany coastal retreat to the Paris apartment they once shared with Serge, which has lain untouched since his death in 1991.


Lingui, the Sacred Bonds

Director: Mahamat-Saleh Haroun

Origin: Chad (2021)

Africa & Middle East, International | Feature

Language: French with English subtitles

Genre: Drama , Social Justice

Viewer Advice: Contains high-impact violence and high-impact sexual themes.

In Chad, where religion rules with an iron fist, a teenage girl seeks to end her pregnancy.


Amina, a single mother in a conservative village, lives a hand-to-mouth existence with her daughter, Maria. When the 15-year-old reveals that she is pregnant and wants to have an abortion, Amina is initially caught between her Muslim faith and her desire to spare her child from enduring the experiences she herself suffered as a socially ostracised teenage mother. But if the latter is to be achieved, the funds must be raised – and Amina will have to call on the aid of a secret network of women.


Nelly & Nadine

Director: Magnus Gertten

Origin: Sweden (2022)

Documentaries | Feature

Language: English, French, Spanish, Swedish with English subtitles

Genre: Documentary , LGBTQIA+

Winner of the Berlinale’s Teddy Jury Award, this is the astonishing true story of two women who survived the horrors of WWII and smashed social taboos to pursue their love.


Nelly Mousset-Vos met Nadine Hwang on Christmas Eve 1944 in the most horrifying of places: the Nazi concentration camp for women, Ravensbrück. Instantly enamoured, the pair were later separated; after the war, they reunited and spent the rest of their lives together in Venezuela, their relationship hidden in plain sight. The truth is unearthed when Nelly’s granddaughter Sylvie finally opens a box in the attic – a treasure trove of history and a compelling personal record of bravery and romance.


Neptune Frost

Directors: Anisia Uzeyman, Saul Williams

Origin: Rwanda, USA (2021)

Bright Horizons | Feature

Language: English, French, Kinyarwanda, Swahili with English subtitles

Genre: Sci-Fi

A wildly ambitious, radically experimental Afrofuturist musical that transcends space, time and gender from visionary poet and musician Saul Williams.


Ten years in the making, this dazzlingly original, genre-defying debut from Williams and actor and playwright Anisia Uzeyman builds on the musician’s lyrical world-building and exploration of Black resistance while following in the Afrofuturist tradition of Sun Ra’s Space Is the Place and Ngozi Onwurah’s Welcome II the Terrordome. In a past, present and future Rwanda that unfolds like a dream, a young coltan miner encounters Neptune Frost, an intersex hacker who leads us down a trans-dimensional rabbit hole of post-colonial possible realities.


The Passengers of the Night Les passagers de la nuit

Director: Mikhäel Hers

Origin: France (2022)

Europe, International | Feature

Language: French with English subtitles

Genre: Drama

Charlotte Gainsbourg is the essence of Gallic cool in this moody, insouciant film from French dramatist Mikhaël Hers (Amanda).


In 1981, even as Paris explodes with optimism at the election of socialist candidate François Mitterand as president, Elisabeth (Gainsbourg, Jacky in the Kingdom of Women, MIFF 2014; Melancholia, MIFF 2011) is on the back foot: a cash-strapped, recently divorced cancer survivor who needs to provide for her two adolescent offspring. Beginning from this point of considerable conflict, Hers instead unfurls a nostalgic and quietly uplifting narrative that – following the entry of a wayward teen into the family’s lives – traces Elisabeth’s years-long journey of self-rediscovery.


Rewind & Play

Director: Alain Gomis

Origin: France, Germany (2022)

Documentaries, MIFF Play, Music on Film | Feature

Language: English, French with English subtitles

Genre: Documentary , Experimental , Music

Thelonious Monk broke the jazz mould. Here’s what happened when a French TV show tried to stuff him back into it.


On 15 December 1969, at the tail end of his European tour, legendary pianist Thelonious Monk spent two-and-a-half hours sweating on a Parisian studio stage under intense lights, filming a 30-minute episode of the French TV series Jazz Portrait. Miraculously, all the footage has survived – and now, French-Senegalese director Alain Gomis has intelligently assembled it into an uneasy, impressionistic collage that hums with postcolonial subtext.


Director Alain Gomis reveals Monk as a gentle man being provoked to his limits of politeness as dominating host Henri Renaud talks over and around his guest, sometimes resorting to unkind stereotype. Only when Monk is free to roam the keys does he elude the camera’s pitiless gaze and show why his talent was so special.


BONUS FILM: From France but not in French 


Director: Amartei Armar

Origin: France, Ghana (2022)

International Shorts 1, MIFF Shorts | Short

Language: Ga with English subtitles

Genre: Drama

A moving story of two Ghanaian boys haunted by the loss of their older brother.


This compelling, Cannes-premiering short film from Ghanaian-American filmmaker Amartei Armar is set in a small Ghanaian town at the edge of a landfill site that spills into the ocean. A fisherman’s two sons, Sowah and Okai, are struggling to cope with the disappearance of their older brother following a boating expedition. Tsutsué is an affecting, powerful work propelled by amazing performances from its young leads.


We, Students! Nous, étudiants!

Director: Rafiki Fariala

Origin: Congo, France (2022)

Documentaries | Feature

Language: Sango, and French with English subtitles

Genre: Documentary

Viewer Advice: Contains depictions of violence towards animals and themes of sexual violence.

An extremely rare look at university life in the Central African Republic as four students are thrown personal and emotional curveballs on their path to a better future.


Nestor, Aaron and Benjamin and Rafiki (the film’s director) are friends and students at the CAR’s University of Bangui. They’re trying their hardest to survive in a society that is seemingly tearing itself apart at the seams: around every corner lurk danger, corruption and sexual harassment, which they must navigate along with overcrowded classrooms, romantic entanglements, and worries about money and employment. But through it all shines their hope that, one day, they can set things right.


We, Students! is the first film from the Central African Republic to screen at the Berlinale, and only the second ever piece of cinema produced in the landlocked country. Amid unrest and economic turmoil across the nation – where cameras are unfamiliar sights (Rafiki was arrested three times during production) – it’s a miracle that this film exists at all.



WHAT: MIFF Play 2022

WHERE: Wherever you are

WHEN: Films on MIFF Play 2022 are available to rent and stream from Friday 12 August, 2022 at 9:00 AM through to Sunday 28 August 2022 at 11:59PM AEST. As soon as you press play on the majority of films, you will have thirty-six (36) hours to complete your viewing. Please note: some films have limited and specific viewing windows, please check the film’s program page for more info.

HOW: Purchase your rental access via the film links above.

HOW MUCH: Feature films cost $15 to rent on MIFF Play 2022.


Which films are you going to watch on MIFF Play 2022? 



No dogs or Italians allowed is showing at MIFF 2022

MIFF 2022 – 18 multilingual films to see

Melbourne International Film Festival 2022: 25 Films in French



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No dogs or Italians allowed is showing at MIFF 2022

Reading Time: 4 minutes

No dogs or Italians allowed is a French stop-motion Claymation feature film showing at the Melbourne International Film Festival 2022. The second feature film from director Alain Ughetto follows up his 2013 debut Jasmine.

No dogs or Italians allowed

No dogs or Italians allowed tells the story of director’s grandfather Luigi Ughetto, an Italian from Ughettera in Piedmonte who laboured building the Swiss/French border tunnel, a dam and other significant buildings in France and Switzerland. The story is told through the voice of his elderly grandmother Cesira to her adult grandson in her kitchen.  It is quite fitting that the director Alain Ughtetto chose to make Claymation films, following in his father and grandfather’s passion for making things with their hands.


Right from the opening scene of the film, where we see a life-sized person shaving wood, we were intrigued by No dogs or Italians allowed. The theme of moving from one house into another and into another was cleverly captured by placing a cardboard house in front of the lens and having a car drive in and out of the driveway before a larger house is placed on top of that existing house and the same car drives in and out again.

The film would occasionally juxtapose Alain Ughetto’s life-sized hands against the claymation figure of his grandmother sometimes to comic effect. In one scene, she is sewing a patch on a large piece of grey fabric covering her lap. She then passes it to Alain asking “how do you get your socks in such a state?” We then see that the fabric is way larger than this little figure. The sock being life-sized.


The life of Luigi Ughetto was one of much difficulty but the story-telling is interjected with moments of lightness. The Tour de France support cars and its cyclists passing by their French house made us smile. Racist signs on French/Italian border businesses are explained away with humour to his son.


The film tells a story of resilience and hope through wars in Libya and in Europe, poverty (a single potato cut into 5 pieces to feed 5 children), and loss, along with some more prosperous times that see them settle in a house in France they build themselves and name Paradise.

No dogs or Italians allowed is an original way of telling a migrant labourer’s story and is well worth a watch.


Matilda Marseillaise was given access to a screener of No dogs or Italians allowed


WHAT: No dogs or Italians allowed, a film from director Alain Ughetto

WHERE: Cinema Nova 1

WHEN: only one session remains: 4pm on 21 August

HOW: Purchase your ticket via this link: https://miff.com.au/program/film/no-dogs-or-italians-allowed

HOW MUCH: Various options available for single or multiple tickets

Share Pass

12 standard festival admissions, which you can share with up to three (3) friends per session at MIFF 70. That means you can book two people into six sessions, three people into four sessions, four people into three sessions, or any combination that suits you and yours.

  • Full: $199
  • Concession: $185
  • MIFF Members: $170


Discovery Pass

Five standard festival sessions, plus two (2) bonus off-peak sessions, at MIFF 70 – just for you.

  • Full: $105
  • Concession: $95
  • MIFF Members: $85


Deluxe Membership

Lets you buy a single ticket to every single film showing at Melbourne International Film Festival 2022: $580


Peak pricing (weekends and weekdays after 5pm)

  • Full: $24.50
  • Concession: $20
  • MIFF Members: $18.50
  • Group: $18.50 (per person, 10 people or more)


Off-peak pricing (weekdays before 5pm)

  • Full: $21.50
  • Concession: $18.50
  • MIFF Members: $16
  • Group: $16.50 (per person, 10 people or more)


Premium pricing (weekends and weekdays after 5pm)

  • Full: $32
  • Concession: $30
  • MIFF Members: $28
  • Group: $28 (per person, 10 people or more)



Melbourne International Film Festival 2022: 25 Films in French

MIFF 2022 – 18 multilingual films to see


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